1.

The fill color would be converted to CMYK values

2.

The fill color would be unchanged.

3.

Illustrator would display an error because you can't paste an object with RGB colors into a CMYK file.

4.

The fill color would remain RGB but its appearance would change.

1.

Select the Screen blending mode before you brush.

2.

Select the circle and click the Draw Inside button on the toolbar before you brush.

3.

Add a fixed spacing value in the Scatter Brush options.

4.

Select the brush stroke and the circle and make a compound path.

1.

to preserve vector copies of objects you plan to rasterize

2.

to save copies of selected objects in a new file

3.

to preserve a selection of objects you may use again

4.

to save selected objects in a Creative Cloud library

1.

clicking or dragging the first point in the path

2.

choosing Object > Path > Join

3.

pressing Return (Mac) or Enter (Windows)

4.

switching to a different tool

1.

3D Extrude & Bevel

2.

Offset Path

3.

3D Rotate

4.

3D Revolve

1.

Hold down the Option (Mac) or Alt (Windows) key and click the object you want to deselect.

2.

Use the Lasso tool to deselect the unwanted object.

3.

Shift-click the object you want to deselect

4.

Press Command+Shift+A (Mac) or Ctrl+Shift+A (Windows) and click the object you want to deselect.

1.

Recolor Artwork

2.

Select > Same > Appearance

3.

Edit Colors

4.

Live Paint

1.

Select Object > Path > Reverse Path Direction.

2.

Select Effect > 3D > Rotate.

3.

Use the Flip Horizontal and Flip Vertical commands in the Transform panel menu.

4.

Drag the path with the Reshape tool.

1.

Remove it.

2.

Cut the path at the anchor point.

3.

Convert it to a corner point.

4.

Convert it to a smooth point.

1.

when you want to cut an object at existing anchor points

2.

when you want to cut an object into equal pieces

3.

when you want to crop an embedded or linked image

4.

when you want to quickly divide an object by drawing closed, freehand paths

1.

Select everything in the document and then apply the Convert to Grayscale command.

2.

Apply the Convert to Grayscale command and change the Document Color Mode to CMYK.

3.

Use the Recolor Artwork command and select the 1-Color Job preset.

4.

Delete all the color swatches from the Swatches panel except for Black and White.

1.

Switch to any other workspace, and then switch back to Essentials.

2.

Quit Illustrator, press and hold Command+Shift+Option (Mac) or Ctrl+Shift+Alt (Windows), and relaunch Illustrator.

3.

Choose Reset Essentials from the Workspace menu or the workspace switcher.

4.

Quit and relaunch Illustrator.

1.

Variables

2.

Recolor Artwork

3.

Live Paint

4.

Proof Colors

1.

Specify a key object, then use the Horizontal Distribute Space command in the Align panel with a Spacing value of 0

2.

Turn on Smart Guides and drag each object until it snaps to the one next to it.

3.

Choose the Move command and in the dialog box set the Distance value to 0.

4.

Select the objects with the Selection tool, then drag from the side of the selection bounding box until the objects snap together.

1.

Adobe Color Themes

2.

Color Guide

3.

Color Groups

4.

Recolor Artwork

1.

to create responsive web graphics that can resize with no loss of quality

2.

to ensure graphics use only web-safe colors

3.

to have Illustrator automatically choose the right export file format based on the contents of the graphic

4.

to create sharp web graphics with no anti-aliasing of straight lines

1.

The color mode of the fill is set to Grayscale.

2.

The Luminosity blend mode is applied to the fill.

3.

One of the Color Blindness options is chosen under Proof Setup in the View menu.

4.

Overprint Preview is turned on in the Separations Preview panel.

1.

Turn off Hyphenate Capitalized Words in the Paragraph panel.

2.

Select Justify All Lines in the Paragraph panel.

3.

Decrease the Word Spacing in the justification options.

4.

Increase the Hyphenation Zone value in the Paragraph panel so it is greater than the point size of the text.

1.

In the Control panel, click the button to start editing similar shapes, then select Object > Path > Simplify.

2.

In the Properties panel, click Start Global Edit and then use the Transform controls to reduce the Polygon Side Count to 3.

3.

In the Properties panel, click Expand Shape. Then click Start Global Edit and use the Transform controls to reduce the Polygon Side Count to 3.

4.

In the Control panel, click the button to start editing similar shapes, then select Object > Transform > Transform Each.

1.

the Smooth tool

2.

the Shape Builder tool

3.

the Pencil tool

4.

the Shaper tool

1.

Select Small Gaps.

2.

Select Close Gaps with Paths.

3.

Select Large Gaps.

4.

Turn off Gap Detection.

1.

Select Show Pattern Brushes from the Brushes panel menu.

2.

Select Persistent from the library's panel menu.

3.

Open the library and save a custom workspace.

4.

Select all the brushes in the Pattern Arrows brush library and choose Add to Brushes from the library's panel menu.

1.

The paths do not have a fill attribute.

2.

Only one of the paths is selected, but both need to be selected.

3.

One of the paths is selected but the Join tool works only with unselected paths.

4.

Endpoints need to be selected in both paths before they can be trimmed and joined.

1.

None

2.

Tints

3.

Tints and Shades

4.

Hue Shift

1.

An Inner Radius of a Star cannot be modified and would have to be redrawn.

2.

Use the Scale tool while holding down Option+Shift (Mac) or Alt+Shift (Windows).

3.

Select the inner points, then use the Scale tool to uniformly change the radius.

4.

Double-click the Star tool and change the Inner Radius option.

1.

The Alana fonts are deactivated.

2.

The Alana fonts are for web-only use.

3.

The Alana fonts are currently being activated.

4.

Not all the fonts in the Alana family are activated.

1.

Make Pattern

2.

Make Live Paint Group

3.

Make Compound Path

4.

Make Clipping Mask

1.

Select instances with the Group Selection tool and then choose the desired graphic style.

2.

Symbol instances in a symbol set cannot be overridden.

3.

Select instances with the Direct Selection tool and then choose the desired graphic style.

4.

With the Symbol Styler tool, select a graphic style and paint the style onto symbol instances.

1.

Any control handles are removed, converting the point into a corner point.

2.

The path is split at that point.

3.

The point is deleted.

4.

The point is selected.

1.

when you want to create simpler meshes so the performance of Illustrator is not negatively affected

2.

when you want to place a highlight at the edge of the object

3.

when you want to create mesh lines at equally spaced intervals within the object

4.

when you want to create mesh lines at one or more specific locations within the object

1.

It has been converted to outlines.

2.

It is live text.

3.

It is a compound path.

4.

It has a fill color of black.

1.

In the Graph Type dialog, choose Category Axis and set the Tick Marks option to Full Width.

2.

In the Graph Type dialog, under Graph Options, set the cluster width to 100 in the Options section.

3.

In the first row of data, type 100% in each cell corresponding to the category columns.

4.

Select the columns with the Direct Selection tool and use the Scale tool to modify the width.

1.

With nothing selected, click the More Tools button in the Properties panel.

2.

Click the ellipsis at the bottom of the toolbar.

3.

Turn on the tool in the preferences.

4.

In the Window menu, click Window > Tools.

1.

Open the Art Brush Options dialog box and select Scale Proportionally.

2.

Expand the appearance of the distorted flowers and drag the flowers with the Selection tool.

3.

Use the Pen tool to add points at the top and bottom of the stem, and then drag the points with the Direct Selection tool to remove the distortion.

4.

Open the Art Brush Options dialog box, select Stretch Between Guides, and then place the guides so only the stem is between them.

1.

Absolute Colorimetric

2.

Perceptual

3.

Saturation

4.

Relative Colorimetric

1.

It allows you to work faster because modifying a larger mesh requires fewer calculations.

2.

It allows you to modify disjointed objects together

3.

It allows you to make greater modifications to an object.

4.

It allows you to see the mesh more clearly.

1.

Corners

2.

Noise

3.

Paths

4.

Colors

1.

CSS Properties

2.

Attributes

3.

Links

4.

SVG Interactivity

1.

to reduce the number of points that must be represented in the code

2.

to remove invisible points and lines

3.

to reduce the output resolution so it's appropriate for web graphics

4.

to combine redundant objects

1.

Select the circle and turn on Overprint Fill in the Attributes panel.

2.

Select the circle and apply the Multiply blending mode.

3.

Fill the circle with a rich black color made up of all four process inks.

4.

Use the Appearance panel to add a second black fill.

1.

Placement Options

2.

Edit Original

3.

Update Link

4.

Relink

1.

set the Export Type to Movie Clip

2.

delete the symbol and expand all instances

3.

convert the symbol to a static symbol

4.

break the link to the symbol

1.

Use File Info to leave instructions for your print service provider.

2.

Duplicate the petals to a new layer called "Varnish."

3.

Make sure that the magenta color is from a spot color swatch.

4.

Create copies of the petals on top of the original artwork and fill the petals with a new spot color swatch set to overprint.

1.

Select Size Tile to Art in the Pattern Options dialog box.

2.

Increase the number of copies of the flower used to make the pattern.

3.

Reduce the width and height in the Pattern Options dialog box.

4.

Use the Overlap buttons in the Pattern Options dialog box.

1.

to prevent Illustrator from printing marks showing the borders of artboards

2.

to print all artboards on one piece of paper

3.

to prevent Illustrator from printing the names of artboards

4.

to scale each artboard to the media size

1.

Use the Global Edit command.

2.

Use the Transform Again command.

3.

Use the Transform Each command.

4.

Use the Actions panel to record and play back the sequence of steps.

1.

to allow portions of the symbol to be exported as separate graphics

2.

to ensure that each instance of the symbol always maintains its original proportions when scaled

3.

to include custom guides with the symbol so each instance is placed in the same position relative to the artboard

4.

to allow instances of the symbol to be scaled without distorting the corners

1.

Click the Edit Symbol button in the Control panel or Properties panel.

2.

Edit the symbol instance name.

3.

Double-click the instance with the Type tool.

4.

Click the Break Link button in the Control panel or Properties panel.

1.

Drag the object into the Asset Export panel.

2.

Select the object and choose Generate CSS from the CSS Properties panel.

3.

Select the object and choose Copy Selected Style from the CSS Properties panel.

4.

Give the object a name in the Layers panel.

1.

Enable Perspective Warp.

2.

Enable Viewing Angle in the Define Grid dialog box.

3.

Choose View > Perspective Grid > Lock Station Point

4.

Enable 3D Transform.

1.

The onscreen appearance stays the same, but the color values in the image will change.

2.

The onscreen appearance may change, but the color values in the image stay the same.

3.

Neither the onscreen appearance nor the color values in the image will change. Only the metadata in File Info changes.

4.

Both the onscreen appearance and the color values in the image will change

1.

Curves

2.

Shadows/Highlights

3.

Levels

4.

Hue/Saturation

1.

Selection tool

2.

Paint tool

3.

Direct Selection Tool

4.

Anchor Adjustment Tool

1.

Raster

2.

Encryption

3.

Extrapolation

4.

Vector

1.

Line

2.

Gamma Line

3.

Path

4.

Point Successor

1.

Indentation

2.

Leading

3.

Hyphenation

4.

Format

1.

scissors tool

2.

knife tool

3.

bisect tool

4.

transform tool

1.

stroke and shadow

2.

fill and stroke

3.

history and undo

4.

texture and gamma

1.

Bezier Curve

2.

Venus Curve

3.

Curved vector solution

4.

Razerian Curve

1.

artwork printing is controlled

2.

artwork outlines are easily seen

3.

artwork sections can be hidden

4.

artwork is protected from change

1.

combines grouped objects

2.

finds a path for type

3.

finds a path for stroke size

4.

finds a path for rasterization

1.

For approximately 15 seconds

2.

Until the computer is offline

3.

Until the software is shut down

4.

Until another tool is selected

1.

Pages

2.

Canvas

3.

Cardboard

4.

Artboard

1.

1

2.

2

3.

3

4.

4

1.

A

2.

V

3.

S

4.

T

1.

The stroke has been outlined.

2.

The stroke has a corner type of Bevel Join.

3.

The star is an open path with two overlapping points at the top.

4.

The Limit value in the Stroke panel is less than the stroke width.

1.

Give the swatch a custom name.

2.

Click **Global** in the **Swatch Options** dialog box.

3.

Place the swatch in a color group.

4.

Add the swatch to a Creative Cloud library.

1.

You can print and export individual objects by isolating them first.

2.

All non-isolated objects cannot be selected or edited.

3.

You cannot isolate more than one object at a time.

4.

You can Shift-click non-isolated objects to make them editable.

1.

Preserve Paths

2.

Create PDF Compatible File

3.

Include Linked Files

4.

Use Compression

1.

Appearance of Black

2.

Document Setup

3.

Document Raster Effects Settings

4.

Overprint Black

1.

the **Document Setup** dialog box

2.

the **Document** Info panel

3.

the **Attributes** panel

4.

the **File Info** dialog box

1.

Black strokes may appear thinner than expected.

2.

Blank areas may be visible at the edges of the print.

3.

Areas of 100% black may print lighter than expected.

4.

Blank areas may be visible where two inks are printed adjacent to each other.

1.

Make a clipping mask with the layer selected.

2.

Drag the layer to the bottom of the **Layers** panel.

3.

Turn off the **Print** option for the layer.

4.

Lock the layer.

1.

Select **Select All** and then **Save Selection**.

2.

Use the **Save as Template** command.

3.

Use the **Package** command.

4.

Select **Select All** and then click the **Add Content** button in the **Libraries** panel.

1.

Scale

2.

Viewing Distance

3.

Viewing Angle

4.

Gridling every

1.

Round Join

2.

Projecting Cap

3.

Round Cap

4.

Align Stroke to Outside